Full circles
Yesterday my father and I had lunch at Cafe Steinhof in Brooklyn, at 14th St. and 7th Avenue. It's an excellent spot for lunch or brunch: their fare has a strong German aspect to it such that the omelets come with like sauerkraut mixed in, and even the steamed vegetables are flavored to a salty, smoky nirvana. They know their Bob Dylan, as likely to play Nashville Skyline in full as they are to play, oh, the first track from Blonde on Blonde, and they know their Magnetic Fields as well. They offer Gosser beer, both the lager and the dark varieties. Dad and I ate here in October when he was helping to set me up in Brooklyn. Here's a picture of that day, in October, which is pretty much the same look and feel to yesterday's excellent meal.
Come to think of it, I think Dad's got a bowl of white bean soup in front of him, which is the same soup he had yesterday. This is an unplanned coincidence.
Here I am. To picture yesterday, picture grey light over my shoulder there rather than sunlight. Also, yesterday it was raining.
*
We packed everything up with an ease and efficiency that I found exhilarating. After only an hour of packing things up before his arrival, everything was ready to go; after only an hour of packing the truck Jon effectively bequeathed to us, we were ready to go. This fact says a lot about how few worldly possessions I really do have, but I like to think it says more about what precise packers we can be. I believe we were on 380 West when we came up on a rest stop and snapped some photos of our handiwork; I'll have to find them for you. There was sun for awhile. It did us good. I began to think of The Polyphonic Spree's song "It's the Sun", which begins with a vast harmony of voices singing "Suuuuuuuu-uuuun!" (a two-note snippet of melody), and then lead-singer Tim DeLaughter says "Suicide is a shame!" Very, how you say, apropos.
Other appropriate songs played yesterday include all of Sufjan Stevens' Come On Feel the Illinoise, which my dad liked a whole lot as it turned out, and Paul Simon's debut album, especially "Paranoia Blues" which fit my own feelings about leaving New York and "Mother and Child Reunion," which had a special and pretty obvious initial poignancy as here we were on our way home to increase the number of souls in the house by one, whereas my dad had recently done the pack-up-and-come-home thing out in Colorado, solely with Jon's stuff and w/o Jon. I can only suggest that yesterday's physical return exerted a partial counterforce to the work of returning Jon's stuff in Jon's truck without Jon himself. Another thing about "Mother and Child Reunion": my dad, on recognizing the song and the album, began singing along. He'd had the album himself in the early 70s, and even played some of Simon's songs in his high school band The Sentries. But I wasn't impressed until the next song, "Duncan", which my father says he hasn't heard since playing it when he was in the band, which is to say 30+ years ago, and as he sang along he knew 90% of the words. The casual, automatic way in which memory can function and sweep aside intervening years like so much irrelevant detail, can return a person to a previous time so completely and instantly, had me beaming from ear to ear. I've used this metaphor before but it still seems appropriate: moments like my father singing along to "Duncan" remind me of that idea in the young adult book A Wrinkle In Time - which if you're a young person you should read and if you're a parent or teacher should have your kids read - in which these three strange witch-type characters explain to the young heroine Meg and her brilliant but socially awkward younger brother Charles Wallace that they're able to travel through space and time via a process calling tesseracting - verb: to tesser / noun: tesseract, i.e. "How was your tesseract?" in the way you'd ask "How was your trip?" To tesser is to bring two disparate and faraway points together, via means I find somewhat hazy in my own memory, in the same way you'd bring two points on a piece of string together. Space is like the string, and so is time. It seems linear, but you can collapse that linear surface to make connections, and travel between points that had seemed removed from one another.
But the Best Song of the Day goes to Andrew Bird's "Tables and Chairs" from Andrew Bird and the Mysterious Production of Eggs, a fine album and an even better song which asserts that in even during the final collapse of civilization there's going to be a) the personal impulse to regret that one didn't take the time to be with friends and b) the opportunity to be with those friends again:
There'll be pony rides and dancing bears
There'll even be a band
Cause listen, after the fall there will be no more countries
No currencies at all, we're gonna live on our wits
We're gonna throw away survival kits,
Trade butterfly-knives for adderal
And that's not all
Whoa-oh, there will be snacks, there will,
There will be snacks, there will,
There will be snacks.
Hearing this made me think, if only fleetingly and not in a concrete exact way at all, about parties and seeing friends - God this is becoming inane and goopy - but I do nevertheless want to forge on and tell you that there in the car as night finally fell I listened to Andrew Bird sing this lyric about the party after the apparent end of the world and about the presence of snacks - which some of you know is a lyric I've been plenty fond of in recent days - and in spite of or perhaps because of this simple and youthful-minded statement of joy at the future presence of snacks my face just opened into this goofy teared-up face which for fear of being seen I had to direct out of the passenger side window at the dark forests passing by; I mean, it was as though the two masks of theater Tragedy and Comedy were precisely aligned and on my face at the same time, that's the kind of irrepressible crying smile I had on, listening to a song about snacks. We'd been snacking, actually: trail mix and, for me, one piece of black pepper jerky of the kind Jon loved and I hated. So there: in the dark, sitting next to my father, listening, I think I felt incredibly happy.
Come to think of it, I think Dad's got a bowl of white bean soup in front of him, which is the same soup he had yesterday. This is an unplanned coincidence.
Here I am. To picture yesterday, picture grey light over my shoulder there rather than sunlight. Also, yesterday it was raining.
*
We packed everything up with an ease and efficiency that I found exhilarating. After only an hour of packing things up before his arrival, everything was ready to go; after only an hour of packing the truck Jon effectively bequeathed to us, we were ready to go. This fact says a lot about how few worldly possessions I really do have, but I like to think it says more about what precise packers we can be. I believe we were on 380 West when we came up on a rest stop and snapped some photos of our handiwork; I'll have to find them for you. There was sun for awhile. It did us good. I began to think of The Polyphonic Spree's song "It's the Sun", which begins with a vast harmony of voices singing "Suuuuuuuu-uuuun!" (a two-note snippet of melody), and then lead-singer Tim DeLaughter says "Suicide is a shame!" Very, how you say, apropos.
Other appropriate songs played yesterday include all of Sufjan Stevens' Come On Feel the Illinoise, which my dad liked a whole lot as it turned out, and Paul Simon's debut album, especially "Paranoia Blues" which fit my own feelings about leaving New York and "Mother and Child Reunion," which had a special and pretty obvious initial poignancy as here we were on our way home to increase the number of souls in the house by one, whereas my dad had recently done the pack-up-and-come-home thing out in Colorado, solely with Jon's stuff and w/o Jon. I can only suggest that yesterday's physical return exerted a partial counterforce to the work of returning Jon's stuff in Jon's truck without Jon himself. Another thing about "Mother and Child Reunion": my dad, on recognizing the song and the album, began singing along. He'd had the album himself in the early 70s, and even played some of Simon's songs in his high school band The Sentries. But I wasn't impressed until the next song, "Duncan", which my father says he hasn't heard since playing it when he was in the band, which is to say 30+ years ago, and as he sang along he knew 90% of the words. The casual, automatic way in which memory can function and sweep aside intervening years like so much irrelevant detail, can return a person to a previous time so completely and instantly, had me beaming from ear to ear. I've used this metaphor before but it still seems appropriate: moments like my father singing along to "Duncan" remind me of that idea in the young adult book A Wrinkle In Time - which if you're a young person you should read and if you're a parent or teacher should have your kids read - in which these three strange witch-type characters explain to the young heroine Meg and her brilliant but socially awkward younger brother Charles Wallace that they're able to travel through space and time via a process calling tesseracting - verb: to tesser / noun: tesseract, i.e. "How was your tesseract?" in the way you'd ask "How was your trip?" To tesser is to bring two disparate and faraway points together, via means I find somewhat hazy in my own memory, in the same way you'd bring two points on a piece of string together. Space is like the string, and so is time. It seems linear, but you can collapse that linear surface to make connections, and travel between points that had seemed removed from one another.
But the Best Song of the Day goes to Andrew Bird's "Tables and Chairs" from Andrew Bird and the Mysterious Production of Eggs, a fine album and an even better song which asserts that in even during the final collapse of civilization there's going to be a) the personal impulse to regret that one didn't take the time to be with friends and b) the opportunity to be with those friends again:
There'll be pony rides and dancing bears
There'll even be a band
Cause listen, after the fall there will be no more countries
No currencies at all, we're gonna live on our wits
We're gonna throw away survival kits,
Trade butterfly-knives for adderal
And that's not all
Whoa-oh, there will be snacks, there will,
There will be snacks, there will,
There will be snacks.
Hearing this made me think, if only fleetingly and not in a concrete exact way at all, about parties and seeing friends - God this is becoming inane and goopy - but I do nevertheless want to forge on and tell you that there in the car as night finally fell I listened to Andrew Bird sing this lyric about the party after the apparent end of the world and about the presence of snacks - which some of you know is a lyric I've been plenty fond of in recent days - and in spite of or perhaps because of this simple and youthful-minded statement of joy at the future presence of snacks my face just opened into this goofy teared-up face which for fear of being seen I had to direct out of the passenger side window at the dark forests passing by; I mean, it was as though the two masks of theater Tragedy and Comedy were precisely aligned and on my face at the same time, that's the kind of irrepressible crying smile I had on, listening to a song about snacks. We'd been snacking, actually: trail mix and, for me, one piece of black pepper jerky of the kind Jon loved and I hated. So there: in the dark, sitting next to my father, listening, I think I felt incredibly happy.
5 Comments:
about a wrinkle in time - i would ammend/alter what you said, to say that *everyone* should read it: kids, not-kids, people with kids. i first read it in third grade, and most recently againin high school (time for another revisit), and it really is one of those books that works no matter when. it is also one of my absolute favorite books ever, perhaps the one dearest to my heart, and surely the one that most shaped me as a person and my way of seeing the world. (well, it and the three that complete the quartet.) aunt beast is an image/idea/concept/feeling that has stuck with me strongly. i'd wish someone like her on you now.
hope the trip home went well.
By Jaime, at 11:20 AM
It was probably very healing for your father too, to pack up the truck with your things and you for the trip out of Brooklyn.
By junebee, at 11:38 AM
Funny, Wil: I was just getting ready to add to good old Mr. Frost's comments and ask if it was against protocol to go back and praise Andrew Bird. Apparently it's not and I'm very, very glad about that ;0 This is to say, thanks for being on top of things with the music, as always, and for introducing me to yet another new best friend. I put that album in for the first time at 7 am last Tuesday, on my way to Baltimore...and something about that morning light striking the beltway, combined with the way "board of trustees" and "blow us back to the seventies" rhymed with "they're playin' 'Ride of the Valkyries'" made me know immediately that I was in the presence of greatness. And then almost tear up. I'm hard pressed to pick a favorite yet, but wow, I am madly in love too. Where has this guy been all my life?
Thus, I'm busy taking your recommendations: Blinking Lights and Other Revelations is on the way, along with Spoon's Kill the Moonlight, which I don't think you've said anything about but am excited to receive nontheless.
I don't really know why the music seems so crucially important these days...but ah well, so it goes ;0 Keep us all posted, like I said, about what you're ears are liking.
And, of course, be well as you settle back in. I'm wishing you and your family all the best.
More emails to follow soon...
By Anonymous, at 12:38 PM
Jaime: It is a great book. I still think about the heroes' arrival on the other world (other dimension?) on which all of these identical kids stand bouncing identical balls on the identical driveways of identical houses. At the same rate, natch. And that poem which, divided up, forms the chapter headings of "A Swiftly Tilting Planet" did worlds in terms of guiding my nascent sense of the epic, I'd have to say. You're right about the need to revisit them.
Junebee: I think you're right. There were all kinds of recuperations to be had yesterday. It wasn't exactly a celebratory day, but neither did it have any shoegazing; it was like a day of compensatory action, in which certain things off-kilter were put nearer to kilter.
Emily: Your Andrew Bird story's a lot like mine. Weird. For me, I knew he'd be a friend of mine when he threw "vagaries" and "B-17s" together. He's like a crossword puzzle of medium difficulty, and therefore is delightful. The rhymes are bonuses.
By Wil, at 7:59 PM
I agree completely with Jaime about Wrinkle in Time, etc. And as someone who lives in Oregon and loves many people who live along the Eastern Seaboard, I have many times wished to be able to use the tesseract in place of the noxious 12 hour aiport-caused journey (for those of us who don't, like Wil, have the time to zoom East in our Kias.)
Wrinkle in Time is absolutely formative, really connecting deeply with the gut, as in Aunt Beast, the way Jaime mentions. I've always thought that time as linear was bunk. I think music and poetry both call that idea into question, as you mentioned with your father's musical memory.
And WinT is written by a 'pisco. Represent.
By Anonymous, at 10:43 AM
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