Post-postmodernism Sighting #1
from A.O. Scott's May 6th review of "Crash" in The New York Times:
"What kind of movie is "Crash"? It belongs to a genre that has been flourishing in recent years - at least in the esteem of critics - but that still lacks a name. A provisional list of examples might include "Monster's Ball," "House of Sand and Fog" and "21 Grams." In each of these films, as in "Crash," Americans from radically different backgrounds are brought together by a grim serendipity that forces them, or at least the audience, to acknowledge their essential connectedness."
"What kind of movie is "Crash"? It belongs to a genre that has been flourishing in recent years - at least in the esteem of critics - but that still lacks a name. A provisional list of examples might include "Monster's Ball," "House of Sand and Fog" and "21 Grams." In each of these films, as in "Crash," Americans from radically different backgrounds are brought together by a grim serendipity that forces them, or at least the audience, to acknowledge their essential connectedness."
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